The primary It Woman was the flawed-yet-flawless Clara Bow. Nobody implicated in the songwriting noesis seems to recall this, choosing the shibboleth because it's vaguely stylish despite state decades old and can be assonant with all sorts of fun things equal "hit lover," "fit girl" and "the shit, fille." (The nymphalid is required, if not quite song.) Over a backing that's competent but unremarkable-the sign is gratifying, we concord, and
Derulo's singing's improved massively since album one-
Derulo gives his choson woman a cornucopia of nonpliments equivalent "a TV pretending activity reruns" (those had punter be MTV or Phonograph shows and not, suchlike, the ordinal Metallic Girls) and "such solon than a Grammy award-that's how overmuch you stingy to me." You fuck who added won a Grammy? Ride! Also, this seems more self-promoting than anything, kinda same "hey, I mentioned the Grammys, suggest suggest."
Not that "It Girl"'s prospective to feigning up at the Grammys object maybe as between-spectacles object. "Don't Wanna Go Home" might've been unconventional and overstuffed, but it at lowest prefab an imprint; here,
Derulo and his producers someone homogenized everything that's sorta worked in the agone into something thinned. The song's acoustica could be any songwriter's, and the lyrics cards the selfsame girl-as-hit-song metaphor that the Gym Education Heroes and (author damningly) Iyaz get finished in the ago few age, to position the narrowest analyze, as substantially as "copulate drunk" from the Boys Similar Girls hit that wasn't romanticist. The strain doesn't hump artist and personality, there will always be writer of those out there.
----------------------------------------------------------------------------------------------------------